HERE: LOCAL / NON-LOCAL
May 30, 2019 - Sept 9, 2019
Iteration #1: Kristin Miller Hopkins, Jason LeVan, Sammi McLean, Cynthia Stucki, Amber Tutwiler
May 30 - July 5, 2019
Installation by Cynthia Stucki
OPENING THURSDAY, MAY 30, 5-8pm
Palm Beach State College, Gardens Campus
Iteration #2: Mumbi O’Brien, Michelle A.M. Miller, Michael Dillow, R.J. Rodriguez, Jason LeVan, Sammi McLean, Cynthia Stucki
July 11 - July 22, 2019
Performance and Installation by Mumbi O’Brien
OPENING THURSDAY, JULY 11, 5-8pm
Palm Beach State College, Gardens Campus
Iteration #3: R.J. Rodriguez, Michael Dillow, Michelle A.M. Miller, Amber Tutwiler, Jason LeVan, Sammi McLean
July 22 - September 9, 2019
Installation by R.J. Rodriguez
CLOSING CEREMONY AND DISCUSSION, Wednesday, September 4, 5-8pm
ABOUT //
Palm Beach State College
is pleased to present HERE (LOCAL / NON-LOCAL), an exhibition curated
and organized by members of H/OURS Collective, an organization of artists that
focus on a diverse range of visual arts research. For this exhibition, members
wanted to discuss the idea of locality from a broad range of conceptual
grounds. Locality is most commonly defined as 1) belonging or relating to a particular area or
neighborhood, typically exclusively so, and/or 2) the condition of having a
location in space and time.
Sticking
to these definitions, artists Michael Dillow, Cynthia Stucki, and Kristin
Miller Hopkins are working with the South Florida landscape directly, revealing
the subtle influences that affect the relationship between place, psychology, and
memory. Within those definitions, locality can be interpreted more directly;
Jason LeVan confronts “here” by working directly with the architecture of the
gallery. There is also potential for abstracted representations through the
lens of digital places, evoked memories, or utopian visions. Originally
inspired by specific places or moments, Amber Tutwiler, Sammi McLean, and
Michelle A. M. Miller discuss these alternative or non-local spaces, while
Ricardo Rodriguez and Mumbi O’Brien confront utopian versions of reality.
Unlike
traditional exhibitions, HERE challenges the idea that galleries must
stay static and unmoving. Every few weeks, subtle changes will be made in the
gallery, embracing the entropy that occurs naturally in any place. As the
gallery lives in a constant state of movement, each change will be documented
and catalogued.
HERE
(LOCAL / NON-LOCAL) will
open May 30, 2019 from 5-8pm. Subsequent openings for various installations
will take place on July 11, 2019 (Mumbi O’Brien will be performing) and
September 4, 2019 (installation by R.J. Rodriguez).





















PULSE
March 1 & 2, 2019
Kravis Center, Persson
Hall, West Palm Beach, FL
Collaboration between Amber Tutwiler and Lauren Carey of Ballet Florida
Creative Designer: Amber Tutwiler
Choreography: Lauren Carey
Costume Design: RogerThat and Mumbi O’Brien
Performance Time: 20
minutes
Sound and Music: Amber
Tutwiler, William Basinski, Olafur Arnalds, Forest Swords, Amon
Tobin
Performed by: Lauren
Carey, Emily Chu, Melinda Rawlinson, Vanessa Rosen, Alyssa Thompson, Kevin
Franc
Video Filmed and Edited by David Hamzik


.
HOLDING PATTERN
AUGUST 3 – AUGUST 27, 2018
CHRISTINA
HUMPHREYS
SAMMI
MCLEAN
ASHLEY
ORTIZ-DIAZ
The H/OURS
Collective and the FRITZ Gallery are pleased to present HOLDING PATTERN, an exhibition featuring printmaking and embroidery
work by Christina Humphreys, Sammi McLean, and Ashley Ortiz-Diaz.
HOLDING PATTERN navigates the various circuitous
routes we take from one destination to another. Converging on suspended
activity in these transitional environments, this body of work includes embroidery,
printmaking and installation. Each artist wavers between traditional imagery, and
experimental processes that expose the making of itself. Christina Humphreys painstakingly
embroiders abstract digital images that resemble known surfaces; Sammi McLean
treats layered fabrics with repeating text as a communication device; Ashley
Ortiz-Diaz uses ephemeral printmaking techniques to contemplate mortality via
known geometric forms. Trapped in the in-between of these routes, each artist
is seeking permission to advance in HOLDING
PATTERN.
The
opening night will take place on Friday, August 3, from 6-9pm. The Fritz
Gallery is located upstairs at 1608 S. Dixie Hwy in West Palm Beach. There will
a $5 donation at the door. For more information, please feel free to email
hourscollectivewpb@gmail.com, or call (561) 352-1925. For a private viewing,
please email amber@hourscollective.org.
ABOUT
THE ARTISTS ||
Christina Humphreys (b. 1990, San
Francisco, CA) is an
interdisciplinary artist originally from Florida. Working in a variety of
media, her work employs textile arts, painting, and digital media to
investigate contemporary anxieties surrounding technology and gender. Utilizing
seemingly mundane materials, images and words, she simultaneously evokes the
sentimental and technological to reflect on themes of perception in the digital
age. She is currently living and working in San Francisco, CA. She received her
BFA in Studio Art from University of South Florida in 2013.
Sammi McLean (b.
1989, Lake Worth, FL) was born and raised in South Florida. She is a hybridized
maker, working with sculpture and new technology through the lens of
printmaking. Assuming there is some
hidden pattern or code to unmask in our experiences, Mclean's work makes
connections by forging a path to a piece that is missing, or by creating some
semblance of intimacy with familial objects and imagery. Embracing chance, her
imagery is fragmented and layered to create misrepresentations of information
that oscillates between memories and documented experiences. McLean
received her MFA from Florida Atlantic University in Printmaking and has been awarded the Lynn Travis Stendor Women
in the Visual Arts Scholarship, Rothenberger Fellowship and the Friedland
Project Grant.
Ashley Ortiz-Diaz (b. 1991,
Gainesville, FL) is a printmaker focusing on visual methods that address
mortality. Using geometric forms that resemble places of rest, her work is a
meditation on eternal place. The point, the line and the plane are the
foundation of Euclidean geometry and how we’ve come to understand abstract
space. Ashley Ortiz-Diaz is a current MFA candidate at University of Florida in
Gainesville. Ortiz-Diaz’s driving force in creating work in this vein is to
take the taboo out of open conversations about death and dying.




FLAT
JULY 20,
2018 – JULY 27, 2018
RYAN DIGHT+ SURREALUX
SEBASTIAN
BRUNO-HARRIS
MICHAEL
DILLOW
ATES
ISILDAK
CRISTINA KOLOZSVARY-KISS
KATELYN
SPINELLI
AMBER
TUTWILER
The H/OURS Collective, a newly
formed collaborative of emerging artists, opens their first exhibition, FLAT, on Friday, July 20, 2018, from 6
to 10 PM, at the Fritz Gallery in West Palm Beach. The inaugural exhibit
features work by Michael Bucuzzo and Surrealex (a New York based artist
collective), Sebastian Bruno-Harris, Michael Dillow, Ates Isildak, Cristina
Kolozsvary-Kiss, Katelyn Spinelli, and Amber Tutwiler.
FLAT is a video-based exhibition that
ranges from traditional narrative to moving image installation. Each artist in
the exhibition presents work that harnesses the avant-garde spirit of new
media. Video art emerged as a legitimate medium in the 1960’s and has been
popularized by available high and low technologies. As television and video
have become the most widespread means of communication, artists have
challenged, embraced, and repurposed the functions and forms of moving images.
While some videos consider the invasive nature of the transmitted moving image
in society’s psyche, others explore the medium’s potential to capture temporal,
surreal imagery other artistic media cannot. FLAT is concerned with both the confines and capacities of new
media; in the flatness of the walls, a depth is excavated, creating the
capacity for experience and transportation.
Of a few
samples of what to expect, Fringe Dream(2016), bySebastian Bruno-Harris, confronts
the viewer with a hard, metallic moving surface that slowly begins to melt. The
solid door-like shape evaporates and progresses into an empty purple-hued and,
potentially infinite, space. Katelyn Spinelli in Single Use, You (2018) uses the ground as a site of projection,
while sharing the sentiment, “I'm sorry. I didn't mean for it to come out like
this, it wasn't meant to come out like this, it's coming out like this.”
Michael Bucuzzo, functioning as an extension of the artist collective
Surrealux, will be partnering with Cristina Kolozsvary-Kiss to create an
immersive video installation that requires viewer participation.
FLAT will be on view at
the Fritz Gallery in West Palm Beach from July 20 to July 27. The exhibition’s
opening on Friday, July 20 runs from 6 to 10pm. There will a $5 donation at the
door. The Fritz Gallery is located upstairs at 1608 S. Dixie Hwy in West Palm
Beach. For more information, please feel free to visit www.hourscollective.org,
email hourscollectivewpb@gmail.com, or call (561) 352-1925.
ABOUT THE ARTISTS
Sebastian
Bruno-Harris (b. 1991,
San Juan, Puerto Rico) is a visual artist born in Puerto Rico and raised in
Buenos Aires. He studied at Florida Atlantic University, earning his BFA in
sculpture in 2016. Through a practice in sculpture and drawing, his work
explores a phenomenological inquiry of space and perception. Sebastian has
exhibited at the FAU Theater Lab, as well as the 2016 Juried Student Exhibition
at the Ritter Art Gallery.
Michael Dillow (b. 1988, Philadelphia, PA) earned his BA in Film and Media Arts from Temple University (2010) and
is currently a pursuing an MFA in Visual Arts at Florida Atlantic University
(2019). Dillow’s work examines the transient landscape of South Florida, which aims
to develop a conversation about humanity’s complex relationship to place, to
community, and to the spaces we occupy. Most recently his work was exhibited at
the Center for Fine Art Photography, in group exhibition titled, Photography
as Response, and was interviewed as a featured artist in Fisheye
Magazine, a photography publication based in Paris, France.
Ates Isildak (b. 1984, West Palm Beach, FL) is an
emerging artist from South Florida. His work is often collagelike, blending
digital video, stop-motion photography, graphic design and sketches into
disorienting narratives that challenge the male gaze. Focusing on the local art
scene, he has participated in many venues on downtown Clematis. His work has
been featured in the Museum of Contemporary Art in Miami, and the Lake Worth
Cultural Council.
Cristina
(Tina) Kolozsvary-Kiss(b. 1987, Miami, FL) was raised on the exotic sands of South Florida. An
indefatigable dreamer, she learned early that making films was a salubrious way
to live in a world of pure fantasy. She works in the industry producing and
directing corporate and commercial video for clients such as Violette Fr, Este
Lauder, Nylon Mag and Rimmel Cosmetics. Cristina has exhibited her works
internationally and has received the Emerging Artist Fellowship at the Jacob
Burns Film Center, and the Princess Grace Honoraria Award.
Katelyn
Spinelli (b. 1987,
West Palm Beach, FL) is a South Florida born artist. Spinelli received her BFA
from Rhode Island School of Design in 2009, and her MFA in Graphic Design at
Yale School of Art (2018).
Ryan Dight + Surrealux (New York City, NY) is a
collective of artists who work with mediums of documentation — still and moving
images captured on film, digital and analog technologies. Collaborating on
projects and working individually on personal projects, the members of
Surrealux have exhibited across the United States and Europe.
Amber
Tutwiler (b. 1988,
West Palm Beach, FL) is an interdisciplinary artist who works across oil
painting, sculpture/installation, audio, and video. Her work is a meditation on
interface and embodiment in technology. She has won various awards, including
the Women in Visual Arts Scholarship and the Williamsburg Painting Award. She
was accepted into the Women Cinemaker’s 2018 Biennale, and will be published in
the next edition of Independent Women’s Cinema Magazine in Berlin.



IN SIGHT
JUNE 16 –
JULY 14, 2018
The Fritz
Gallery is pleased to present IN SIGHT, an exhibition featuring Michael
Dillow and Jason LeVan. Dillow and LeVan both share a preoccupation with modes
of perception. Through a phenomenological inquiry into objects, space and
place, the artists’ in this exhibition exploit our perception of the ordinary.
Dillow uses analog photography to intervene with landscape and community,
invoking anxiety, longing, and displacement. LeVan uses sculpture to challenge
how we interact with and around utilitarian objects, creating physical
incongruity with otherwise banal objects. With the intention to interrogate the
conventional function of what is around us, the work invokes a tangible
ambiguity, forcing us to reconcile our site of perception.
MICHAEL
DILLOW (b. 1988) is a photographer born from Philadelphia, PA. He earned his BA
in Film and Media Arts from Temple University (2010) and is currently a
pursuing an MFA in Visual Arts at Florida Atlantic University (2019). Dillow’s
work examines the transient landscape of South Florida. Through a survey of surrounding
facades, his photographic work aims to develop a conversation about humanity’s
complex relationship to place, to community, and to the spaces we occupy. In
these sites, the landscape serves as a vehicle for expressing concepts of
displacement, longing, and shifting identities. Most recently his work was
exhibited at the Center for Fine Art Photography, in group exhibition titled, Photography
as Response, and was interviewed as a featured artist in Fisheye Magazine,
a photography publication based in Paris, France.
JASON
LEVAN (b. 1984) a visual artist and sculptor originally from Philadelphia, PA.
He earned his BFA in Studio Arts from West Chester University of Pennsylvania
(2010) and is currently a pursuing an MFA in Visual Arts at Florida Atlantic
University (2020). LeVan’s work questions the non-tangible, meta-qualities of
materials related to the perceived functionality that his objects encompass.
Left open to interpretation, his work remains intentionally ambiguous.
Working in the tradition of bricolage, his studio practice merges the
rigors of conceptual art with techniques of high-craft. Most recently, LeVan
was a recipient of the Rothenberger Scholarship and was nominated for the
International Sculpture Center’s Outstanding Student Achievement in Contemporary
Sculpture Award.
IN
SIGHT will open on
Saturday, June 16, from 6pm-9pm. The Fritz Gallery is located upstairs at 1608
S. Dixie Hwy in West Palm Beach. For gallery hours, a private appointment, or
further information, please feel free to email adtutwiler@gmail.com.







